Psychedelic-Rock'n'roll: The Electric Kool-Aid Acid Test

12 January 2012

The Electric Kool-Aid Acid Test


The_Electric_Kool_Aid_Acid_Test,Tom_Wolfe,ken_kesey,merry_prankster,psychedelic-rocknroll,front
The Electric Kool-Aid Acid Test
Tom Wolfe
432 pages, Picador; First Edition edition (August 19, 2008)

The Electric Kool-Aid Acid Test is a work of literary journalism by Tom Wolfe, published in 1968. Using techniques from the genre of hysterical realism and pioneering new journalism, the "nonfiction novel" tells the story of Ken Kesey and his band of Merry Pranksters. The book follows the Pranksters across the country driving in a psychedelic painted school bus dubbed "Further" (called "Furthur" in the book due to an initial misspelling on the bus' placard), reaching what they considered to be personal and collective revelations through the use of LSD and other psychedelic drugs. The book also describes the Acid Tests, early performances by The Grateful Dead, and Kesey's exile to Mexico.


They say if you remember the '60s, you weren't there. But, fortunately, Tom Wolfe was there, notebook in hand, politely declining LSD while Ken Kesey and his Merry Pranksters fomented revolution, turning America on to a dangerously playful way of thinking as their Day-Glo conveyance, Further, made the most influential bus ride since Rosa Parks's. By taking On the Road's hero Neal Cassady as his driver on the cross-country revival tour and drawing on his own training as a magician, Kesey made Further into a bully pulpit, and linked the beat epoch with hippiedom. Paul McCartney's Many Years from Now cites Kesey as a key influence on his trippy Magical Mystery Tour film. Kesey temporarily renounced his literary magic for the cause of "tootling the multitudes"--making a spectacle of himself--and Prankster Robert Stone had to flee Kesey's wild party to get his life's work done.

The_Electric_Kool_Aid_Acid_Test,Tom_Wolfe,ken_kesey,merry_prankster,psychedelic-rocknroll,further,busBut in those years, Kesey's life was his work, and Wolfe infinitely multiplied the multitudes who got tootled by writing this major literary-journalistic monument to a resonant pop-culture moment.
Kesey's theatrical metamorphosis from the distinguished author of One Flew over the Cuckoo's Nest to the abominable shaman of the "Acid Test" soirees that launched The Grateful Dead required Wolfe's Day-Glo prose account to endure. Even now, Wolfe's book gives what Wolfe clearly got from Kesey: a contact high.

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